Adam Torres and Molly Burch

Adam Torres and Molly Burch

Thu · July 27, 2017

Doors: 8:00 pm / Show: 9:00 pm

$15.00

Adam Torres
In 2006, 20-year-old Adam Torres released his debut album Nostra Nova. The album’s 11 songs are idiosyncratic and varied – as are many great songs – with each existing as its own little world. It’s influenced by the works of visual artist Adolf Wolfli and C.G. Jung, and it’s the sound of Torres making something beautiful. With many truly breathtaking moments throughout, it feels full of promise, and is simultaneously weathered and young. A DIY self-release, Nostra Nova found deep, long-lasting roots within the small Athens, OH community at the time, but didn’t resonate farther until much later.

Following its release, Torres went back to college and turned his focus to other interests. But all the while, he never stopped playing music, writing songs, or performing, even while living in Ecuador on and off for two years, teaching English and volunteering in rural villages in the Ecuadorian Andes, among other things. In 2011, Torres moved to Austin, TX and enrolled in graduate school at the University of Texas, and upon finishing, spent two years working for the state of Texas on a project aimed at cleaning the water quality of the Rio Grande River in South Texas. Having penned more than 100 songs since 2006, he quietly released his first music since Nostra Nova in 2012 through DC cassette-label DZ Tapes, which featured tape-recorded demos made inside the apartments he lived in during his time in Ecuador.

In 2015, Nostra Nova saw a small reissue. Called a “cult classic” by The A.V. Club, the album finally achieved its due, earning additional praise from Stereogum, VICE, Popmatters, All Music Guide, and Flavorwire, which wrote of Torres as, “someone who was, at an early age, able to connect his own odd experiences to the concept of life itself in an almost innate way.”

In many respects, that description is a good start at capturing the magic of Torres’ music. There’s a persisting theme that threads through his own story as well as his forthcoming new LP, Pearls To Swine. Within the cosmos of the album, characters experience a sort of misadventure and persevere, casting light on the way life can lead you down a path that’s far from where you wanted to be. Pearls To Swine maps Torres’ complicated history as a songwriter and musician: it’s the sound of someone who discovered the value in his own devotion to music, and how writing and songs are extensions of his own journey. He embeds his own folklore within his high-lonesome sounding, deeply felt and moving brand of folk music.

Across the album, Torres crafts uniquely cinematic soundscapes, ranging through a thoughtfully languid waltz “Juniper Arms” (inspired by Edward Abbey’s iconic book of nature writing Desert Solitaire), and on the evocative, uneasy “Some Beast Will Find You By Name.” It wends through the lush, gently undulating “High Lonesome” to the lonely sweep of the Raymond Carver-signaling “Where I’m Calling From,” and travels from the foreboding, sinuous “Outlands” to the deceptively buoyant cascade of “Mountain River.”

Nature abounds on Pearls To Swine – which also examines the tension of the natural versus the constructed, and survival – filled with imagery of juniper trees, deserts, blood moons, rivers, plains, and big western skies that gives it a distinctively southwestern feel. His style acknowledges the classic singer-songwriter tradition, allowing the rhythm sounds to support the structure of songs, while his affecting falsetto conjures the spirit of traditional vocalists such as John Jacob Niles and Robbie Basho.

Pearls To Swine was recorded over eight days in January at Austin’s Cacophony Recorders, which overlooks the Colorado River valley. Working alongside co-producer and mixer Erik Wofford (Bill Callahan, Black Angels, M. Ward, Okkervil River), Torres chose the analog route, recording and mixing directly to tape to allow for more finality and less overthought. This method in turn lends a natural, warm, and almost magical realism atmosphere to the songs – like a high-stakes live show captured in a fantastical setting. The core rhythm was captured live and augmented by a few overdubs, and Torres is joined on the album by the players in his band: Thor Harris (of Swans; on conga drums, vibraphone, and percussion), Aisha Burns (violin), and Dailey Toliver (bass/piano), with drum kit performances by Matthew Shepherd and Rodolfo Villareal III.
Molly Burch
Molly Burch was exposed to the arts at an early age. Growing up in Los Angeles with a writer/producer father and a casting director mother, Burch's childhood was filled with old Hollywood musicals and the sounds of Patsy Cline, Billie Holiday and Nina Simone. After finding her voice in adolescence, Burch packed up for the University of North Carolina in Asheville to study Jazz Vocal Performance.

“I was always really interested in singing before songwriting. I didn’t always have the confidence to write,” Molly says, “Initially it was more about finding the right songs to complement my voice.” And that voice is the first thing you’ll notice on Burch's debut album, Please Be Mine. It’s smoky, with an incredible range, effortlessly evocative of her early influences. It was in Asheville where Burch would meet guitarist Dailey Toliver, who plays on her debut, and who inspired much of its music.

Searching for a bigger pond, Burch moved to Austin, Texas in an effort to stand on her own two feet. There, Burch began to write her own music in earnest, with the lovelorn Everly Brothers and Sam Cooke as her songwriting guides. Joined by Toliver in Austin a year later, the two connected with Dan Duszynski of Cross Record, and they recorded all the songs on Please Be Mine at his idyllic studio in Dripping Springs, Texas. Motivated by the hourly rate, Burch and her band recorded all the basic tracks and vocals live in one room and in one day, with minimal overdubs for keys and back-up vocals happening a day later. A difficult task for any talented musician, it becomes more mind-blowing when you hear her belt it on tracks like “Downhearted” and “I Love You Still.”

We're all lucky Molly started writing music simply to complement her voice, as we've discovered a great new American songwriter in the process. Captured Tracks is proud to present this debut album of ten beautiful, wistful love songs of loss, loneliness and reconnecting.
Venue Information:
Antone's
305 E 5th Street
Austin, TX, 78701
http://www.antonesnightclub.com/